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Tip
One of the things that makes Live Photos special is that they can be fast enough to be considered part of the standard video clip in the iPhoto app on your Mac. This not only works as a video clip, but it also plays the new feature of shortening videos in the iPhoto app to 15 seconds. And the funny thing is, iPhoto has no idea that the clip is a Live Photo, so it doesn’t shorten it (which would make the subject look silly while still capturing his or her face in the thumbnail). When you view the Live Photo, it will show you its length.
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Still needs work
The major feature that it does not contain is the File Browser. Until version 13 it still only used a thumbnail view of files, making it possible to hide folders you don’t want to see. As of version 14 it added a file browser window.
When you open an image in Elements, the bottom section of the window has an area that can be used to drag files to preview them. To make a selection, you can also use the keyboard shortcuts Shift+Tab and Shift+Tab to jump to the selection tool in the top section of the window.
While the file browser window can show files, folders, and previews, it doesn’t let you view the image in a simple fullscreen image editor. Using the keyboard it is possible to move around the image by holding down the alt key to zoom out, shift to zoom in and alt+tab to go to the previous window. You can also hit ctrl+z to reset to the previous position and then use arrow keys to zoom in and out.
The problem is that the file browser window is not resizeable, which means that the image it is displaying is always the largest image you can possibly fit on the screen. It can also display information from only one of the folders a file is in, and it can only display one preview at a time, as opposed to the dozen or so you get in the file browser window in Photoshop.
Modes
Edit
The edit mode lets you apply edits to a photo. The editing tools are available under the various menu items above. You can apply effects, filters, and adjustments.
If you zoom in, you can see a small preview of the image and the area you are editing on the left side.
Batch or Partial Batch
The batch and partial batch options let you make edits to a group of images at once. The batch option changes all the images in the current document to the same settings, while partial batch keeps the individual images separate. If you make any changes to the current document, only those changes will be applied to the individual images.
You can select an area of the image with the selection tool, and then right click to get different batch options, such as moving the image to a different folder.
Photoshop Elements also has a command for changing the focus point. Unlike the Command+L key combination in Photoshop, which makes the tool determine the focus point automatically, the Elements command+shift+
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Inhalt ist abgedreht
[The third volume of the Japanese art writer Seizaburo Tomita’s six-volume series on Japanese arts from the fifteenth to the nineteenth century has been published and translated into English, Art of the Copy (2007). This in turn was preceded by two hardbound volumes, Art of the Model (2005) and Art of the Burial Mound (2006). The first volume of the series offers a comprehensive account of the history of Japanese painting from the fifteenth to the eighteenth centuries, including a critical, chronological and geographical survey of some of the most important artworks and schools of thought. The second, Art of the Model, focuses on the figurative arts, with chapters on sculpture, painting, ceramics, lacquerware, ink-and-paper art, architecture and applied arts. The third volume deals with figure design, calligraphy, illumination, printing, and ceramics. Of particular interest for the study of the history of graphics are the chapters on the development of the woodblock print, wood-block, monochrome and colour print, and on Japanese Buddhist art, with its ceramics, painting and calligraphy. Art of the Copy also examines (in Japanese and English) the relationship of Japanese culture to art, philosophy and the arts in the first part of the twentieth century, with an evaluation of the work of the Muromachi period. A more subjective viewpoint on the role of art and aesthetics in postwar Japanese society is also provided. In Art of the Copy, the previous volume, Seizaburo Tomita stresses the reciprocal nature of the relationship between the arts and ideas throughout the long period under examination. He remarks in the introduction that they can be characterised as a ‘two-way exchange’, with a few rare instances in which a specific artwork or movement of thought may dominate, but that, in general, ideas about art and aesthetics stimulate creativity in the arts. (from the publisher’s blurb)]
[Volume III: The figure of a student]
Japonica in the year 1540 An outstanding figure of an artist with photographic memory
The year 1540 is a year of the reign of Emperor Go-Reizei (1526-1566). Within the art world, that year marks a highly significant turning point. Over in the Land of the Gods, the most highly regarded painting style of the Muromachi period, Nanga (
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